Olaf Wieghorst (American, 1899-1988) Valley of the Monuments Oil on canvas 28 x 38 inches (71.1 x 96.5 cm) Signed lower left: O-Wieghorst Signed and titled on the stretcher: Valley of the Monuments by O. Wieghorst PROVENANCE: Sotheby's, New York, November 23, 1990, lot 39; Acquired by the present owner from the above. Born in Viborg, Denmark, Olaf Wieghorst led an extraordinary life long before he became one of the most respected painters of the American West. A child acrobatic performer by the age of nine, he captivated audiences at the Tivoli Theater in Copenhagen and toured Europe before eventually finding his way to horseback riding while working on a stock farm. In 1918, Wieghorst arrived in the United States as a cabin boy aboard a steamer. Soon after, he joined the 5th U.S. Cavalry, serving along the Mexican border during the turbulent Pancho Villa era. It was during this time that his bond with horses was solidified—most poignantly illustrated in his recollection of a faithful horse that carried him through the blistering New Mexico desert despite his broken ankle, only to perish from exhaustion shortly after. Reflecting on the Cavalry's transition away from horseback units, Wieghorst lamented, "they took the soul out of that great branch of the service." Following his military service, Wieghorst traveled extensively through the American Southwest, working as a cowboy in Arizona and New Mexico. These formative years cemented his intimate understanding of Western landscapes and life. Later, he settled in New York and served as a mounted police officer until 1944, patrolling Central Park on horseback. It was during these years that he began painting seriously, and his authentic depictions of the American West soon garnered attention, earning him a place at the prestigious Grand Central Art Galleries in the Biltmore Hotel. Valley of the Monuments is a stunning tribute to one of the West's most iconic landscapes—Monument Valley, located on the border of Arizona and Utah within Navajo Nation territory. Known for its dramatic sandstone buttes and sweeping horizons, Monument Valley has become a lasting symbol of the American frontier. Wieghorst harnesses the majesty of this landscape and uses the canvas not just to depict, but to story-tell in a cinematographic way. Using dramatic shadows and warm, golden light, Wieghorst reverently frames the towering rock formations. The Monuments themselves are cast as the true subjects of the composition—silent, eternal, and powerful. In contrast, two Native American figures travel with a horse-drawn wagon, dwarfed by the immensity of their surroundings. This stark scale emphasizes man's smallness in the face of nature's grandeur while honoring the quiet endurance of Indigenous life within its sacred homeland. Wieghorst's color palette is masterful: rich reds and oranges wash over the sandstone, while cooler blues and violets recede into the distant mesas. Valley of the Monuments invites the viewer into a world of awe, resilience, and timeless beauty and is truly a tribute to perseverance, tradition, and the spiritual bond between people and the land. The enduring presence of Native American culture and the majesty of the untamed landscape come together in a powerful narrative of quiet heroism. Wieghorst doesn't just paint the West—he celebrates its soul. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved www.HA.com/TexasAuctioneerLicenseNotice