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printed soft-ground etching, aquatint and drypoint, from two copper plates, and power-tool engraved polycarbon sheet for the Ubu white lines, on Velin d’Arches Blanc 300 gsm paper
printed soft-ground etching, aquatint and drypoint, from two copper plates, and power-tool engraved polycarbon sheet for the Ubu white lines, on Velin d’Arches Blanc 300 gsm paper
image size: 97 by 193,5109,5 by 204,5 by 3,5cm including frame
The archive of the 107 Workshop, Wiltshire, 2021. Private Collection.
Dan Cameron, Carolyn Christov-Bakargriev and J M Coetzee (1999) William Kentridge, New York: Phaidon Press, another impression from the edition presented in an installation image from an exhibition held at The Association for Visual Arts, Cape Town, in 1997, page 78. Museum of Contemporary Art (2001) William Kentridge, exhibition catalogue, Chicago: Museum of Contemporary Art, another impression from the edition presented in an installation image from an exhibition held at The Association for Visual Arts, Cape Town, in 1997, page 48, fig. 12. Bronwyn Law-Viljoen. (2006) William Kentridge Prints, Johannesburg: David Krut Publishing, a comparative discussion about the Sleeper Series on page 66, another impression from the edition illustrated on page 67. Nadine Monem and Faye Robson (ed) (2012) A Universal Archive: William Kentridge as a Printmaker, exhibition catalogue, London: Hayward Publishing, another impression from the edition illustrated in colour on pages 46 to 47, with the title ‘Sleeper (Black)’.