Prix actuel 20.05.2025

Max Beckmann

Lot 127
Selbstbildnis mit Griffel, 1916
Drypoint

29.6 x 23.6 cm
Zoom
Lot 127
Selbstbildnis mit Griffel, 1916
Drypoint
29,6 x 23,6 cm
Estimation:
€ 5.000 - 7.000
Enchère: 18 Jours

Ketterer Kunst GmbH & Co KG

Lieu: Munich
Enchère: 07.06.2025
Numéro d’enchère: 591
Nom d’enchère: Day Sale
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Détails du Lot
Drypoint. Signed, dated, and titled "Halbportrait". From an edition of 40 copies. On wove paper. 29.6 x 23.6 cm. Sheet: 47,5 x 33 cm.
Sheet 19 from the portfolio “Gesichter” (Faces). Printed by Franz Hanfstaengel, Munich. Published as the thirteenth print of the Marées Gesellschaft (with blind stamp), by R. Piper & Co., Munich, 1919. [AW].
- Max Beckmann focuses his gaze on himself and on the viewer. - Self-portraits occupy a prominent place in the artist's oeuvre. - They are among the most outstanding achievements of German graphic art in the first half of the 20th century.
LITERATURE: James Hofmaier, Max Beckmann. Catalogue raisonné of his prints, vol. 1, Bern 1990, cat. no. 105 II B a (of b). Klaus Gallwitz, Max Beckmann. Die Druckgraphik, Karlsruhe 1962, cat. no. 82.
Spektakel des Lebens. Max Beckmann. Arbeiten auf Papier, Sinclair-Haus, Bad Homburg, October 19-December 9, 2001; Museum Folkwang, Essen, February 1-April 7, 2002; Ulmer Museum, Ulm, April 27-June 30, 2002, cat. no. 57. Schießbude und Irrenhaus. Die Mappenwerke von Max Beckmann 1919-1922, August Macke Haus, Bonn, Febr. 6 - May 3, 2015, cat. no. 11
Serge Sabarsky Collection, New York. Galerie Herbert Meyer-Ellinger, Frankfurt am Main. Karin & Rüdiger Volhard Collection, Bad Homburg (acquired from the above in 2000). In family ownership ever since
In good condition. A few brown spots along the right outer edge of the sheet, edge slightly irregular owing to the paper.
Lot Details
Drypoint. Signed, dated, and titled "Halbportrait". From an edition of 40 copies. On wove paper. 29.6 x 23.6 cm. Sheet: 47,5 x 33 cm.
Sheet 19 from the portfolio “Gesichter” (Faces). Printed by Franz Hanfstaengel, Munich. Published as the thirteenth print of the Marées Gesellschaft (with blind stamp), by R. Piper & Co., Munich, 1919. [AW].
- Max Beckmann focuses his gaze on himself and on the viewer. - Self-portraits occupy a prominent place in the artist's oeuvre. - They are among the most outstanding achievements of German graphic art in the first half of the 20th century.
LITERATURE: James Hofmaier, Max Beckmann. Catalogue raisonné of his prints, vol. 1, Bern 1990, cat. no. 105 II B a (of b). Klaus Gallwitz, Max Beckmann. Die Druckgraphik, Karlsruhe 1962, cat. no. 82.
Spektakel des Lebens. Max Beckmann. Arbeiten auf Papier, Sinclair-Haus, Bad Homburg, October 19-December 9, 2001; Museum Folkwang, Essen, February 1-April 7, 2002; Ulmer Museum, Ulm, April 27-June 30, 2002, cat. no. 57. Schießbude und Irrenhaus. Die Mappenwerke von Max Beckmann 1919-1922, August Macke Haus, Bonn, Febr. 6 - May 3, 2015, cat. no. 11
Serge Sabarsky Collection, New York. Galerie Herbert Meyer-Ellinger, Frankfurt am Main. Karin & Rüdiger Volhard Collection, Bad Homburg (acquired from the above in 2000). In family ownership ever since
In good condition. A few brown spots along the right outer edge of the sheet, edge slightly irregular owing to the paper.
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