Aquatint, 1949, on Rives wove paper, a richly inked impression of the sixth (final) state, with the stamped signature, numbered 11/50 in pencil (there were also 15 proofs numbered in Roman numerals), printed by Aldo Crommelynck, published in 1979 by Galerie Louise Leiris, Paris, the full sheet, framed
Aquatint, 1949, on Rives wove paper, a richly inked impression of the sixth (final) state, with the stamped signature, numbered 11/50 in pencil (there were also 15 proofs numbered in Roman numerals), printed by Aldo Crommelynck, published in 1979 by Galerie Louise Leiris, Paris, the full sheet, framed
