Prix actuel 20.05.2025

Georg Baselitz

Lot 199
Zwei Kühe, 1968
Chalk drawing

31.4 x 48.8 cm

Lot 199
Zwei Kühe, 1968
Chalk drawing
31,4 x 48,8 cm

Estimation:
€ 25.000 - 35.000
Enchère: 18 Jours

Ketterer Kunst GmbH & Co KG

Lieu: Munich
Enchère: 07.06.2025
Numéro d’enchère: 591
Nom d’enchère: Day Sale

Détails du Lot
Chalk drawing , on both sides. Signed and dated in the lower right. The drawing on the reverse is also signed and dated. On off-white laid paper. 31.4 x 48.8 cm. , size of sheet.
With another chalk drawing of a similar motif on the reverrse. [JS].
- From Baselitz's bold early period in the 1960s, which includes his famous “Hero” and the “Fraktur” paintings. - Baselitz seeks to break up the subject matter with his fragmented painting style and to confuse our traditional ways of seeing as much as possible. - The following year, Baselitz adopted his characteristic “upside-down” style.
We are grateful to the Georg Baselitz Archive, Munich, for the kind expert advice. The work is registered in the archive of the artist's works.
Siegfried Gnichwitz (ed.), Kunst geht in die Farbik. Dokumentation eines Experiments, Bonn-Bad Godesberg, Wissenschaftszentrum des Stifterverbandes für die Deutsche Wissenschaft, May-June 1987, p. 128 (illustrated)
Private collection, South Germany
In good condition. With light even mount staining and sunning. With some faint creases and handling marks along the edges. A few faint scuff marks. Small remnants of mounting tape on the reverse of the corners.
Lot Details
Chalk drawing , on both sides. Signed and dated in the lower right. The drawing on the reverse is also signed and dated. On off-white laid paper. 31.4 x 48.8 cm. , size of sheet.
With another chalk drawing of a similar motif on the reverrse. [JS].
- From Baselitz's bold early period in the 1960s, which includes his famous “Hero” and the “Fraktur” paintings. - Baselitz seeks to break up the subject matter with his fragmented painting style and to confuse our traditional ways of seeing as much as possible. - The following year, Baselitz adopted his characteristic “upside-down” style.
We are grateful to the Georg Baselitz Archive, Munich, for the kind expert advice. The work is registered in the archive of the artist's works.
Siegfried Gnichwitz (ed.), Kunst geht in die Farbik. Dokumentation eines Experiments, Bonn-Bad Godesberg, Wissenschaftszentrum des Stifterverbandes für die Deutsche Wissenschaft, May-June 1987, p. 128 (illustrated)
Private collection, South Germany
In good condition. With light even mount staining and sunning. With some faint creases and handling marks along the edges. A few faint scuff marks. Small remnants of mounting tape on the reverse of the corners.

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